Abyss

May 6, 2019

Cha Min (Ahn Hyo-seop), a plain-looking heir, and Go Se-yeon (Park Bo-young), a beautiful prosecutor, are killed in separate incidents. The Abyss marble brings them back to life — in each other's bodies. Neither recognises themselves.

May 6, 2019

Both characters adjusting to their new bodies — Se-yeon's horror at being plain, Min's bewilderment at being beautiful.

May 13, 2019

Se-yeon's prosecutorial instincts driving the investigation into their own deaths from inside bodies no one recognises.

May 13, 2019

Min's feelings for Se-yeon — present before their deaths — are now complicated by inhabiting her physical opposite.

May 20, 2019

The Abyss marble's properties — what it can and cannot do, who it chooses to resurrect — are explored.

May 20, 2019

Se-yeon's professional world in the Seocho district — her colleagues who don't recognise her, her cases that continue without her.

May 27, 2019

The investigation into both their deaths narrows toward a single suspect.

May 27, 2019

The comedy of body-swapped identity at its most elaborate and the mystery at its most urgent.

June 3, 2019

The possibility of returning to their original bodies — and what that would mean for Min's feelings for Se-yeon.

June 3, 2019

Se-yeon's history — the cases and relationships that made her the prosecutor she was — examined through new eyes.

June 10, 2019

The person responsible for both deaths is identified.

June 10, 2019

The Abyss marble's final decision about who deserves resurrection.

June 17, 2019

What the resurrection has cost both characters — what they have gained and what they have given up.

June 17, 2019

Min and Se-yeon's relationship resolved across the bodies they inhabit.

June 24, 2019

The final resolution of both the mystery and the fantasy premise.

June 24, 2019

The finale. Park Bo-young's comedy and emotional range in a body-swap drama. A light fantasy thriller with genuine warmth.